12/27/2023 0 Comments Soviet montage vs hollywood montage![]() In other words, the audio track is the primary vehicle for shaping the montage while the image is secondary. Editors are using the natural sound from their footage to create a rhythm in their edit. Recent trends in editing have seen the rebirth of the montage. Today, audio plays a crucial role in editing. The main differences come from technology, those being sound and compositing tools.Įisenstein and the other Russian film theorist were working with silent films, it was a visual medium only. There are some differences between the montage of today and the one of yesteryear. Today’s edit bay is filled with content from a wide variety of sources, delivered in different formats, at different sizes, and even with contrasting aspect ratios (Hello, vertical video.) This means the montage is a powerful technique for today’s editors. In recent years the montage is most often used to support a narrative. The early Russian filmmakers used the montage to create meaning, superseding narrative. The meaning of the shots is derived from their placement and context within other shots, not from the content of the shot by itself. Although it was the same shot of the male actor, audiences responded differently each time, stating he was sad, that he was hungry, or that he was filled with lust. Kuleshov edited a film, using a single shot of an expressionless actor, alternating the shot with a female in a coffin, a bowl of soup, and a reclining female. The intellectual method is found in what is known as the Kuleshov Effect. Eisenstein saw the intellectual method as a visual language, one in which deeper concepts could be conveyed through the combination of various images.Įisenstein saw the intellectual method as a visual language, one in which deeper concepts could be conveyed through the combination of various images. ![]() Most notable of these is the intellectual method in which shots are combined to create new meaning. The synthesis is the resolution, the new meaning derived from the comparison and contrast of the thesis and antithesis.Įisenstein identified five methods of montage, of how a montage could be built. The antithesis, in montage theory, is an opposing force that stands against or in contrast to the thesis. The thesis is the initial shot, the presumptive statement first made in a narrative. A dialectic relationship centers around thesis, antithesis, and synthesis. This is the montage, which they believed worked through a dialectic process. The early Soviet filmmakers theorized that through editing, shots could be placed in a juxtaposition to one another to create a relationship. The most notable example of the Soviet Montage is the Odessa Steps sequence from Sergei Eisenstein’s 1925 film, Battleship Potemkin. It’s a common belief that the Soviet theorists were driven to the montage by not only their artistic aims but by technological limitations. Montage is an essential tool in video editing.Įarly Soviet filmmakers are credited with exploring and developing the film theory behind the montage. ![]() From the perspective of today’s cinema, a montage is a sequence of varying shots, edited together to make a larger narrative statement than made by any of the shots individually. The word itself, montage, is the French word for assemble or editing. It is the concept that a collective sequence is greater than the sum of its individual parts. In film theory, a montage is the assembly of various clips, strung together to create a deeper meaning. Fortunately there’s a simple solution to these problems, and that solution is the montage. ![]() The challenges facing today’s editors are some of the same challenges that were faced by early artists and film theorists. The use and interpretation of the moving image has changed in direct correlation to technological changes over the past century. The montage is a foundational element of film theory, dating back to the origins of the modern cinema.
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